{"title":"WOMEN'S STUDIES","description":"","products":[{"product_id":"good-morning-destroyer-of-mens-souls-a-memoir-of-women-addiction-and-love","title":"Good Morning, Destroyer of Men's Souls","description":"\u003cb\u003eA scorching memoir of a love affair with an addict, weaving personal reckoning with psychology and history to understand the nature of addiction, codependency, and our appetite for obsessive love\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003e\u003cb\u003e\"Ferocious . . . glints with hard-won truths . . . 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This book cracks you open.\" - Brittney Cooper, author of \u003ci\u003eEloquent Rage\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\"This good woman thinks boldly and writes with exhilarating passion.... 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It keeps unfolding page after page.\"\u003cb\u003e--\u003ci\u003eOff Our Backs\u003c\/i\u003e\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003e\"Among the elements that make the book so good are its personal honesty and lack of pretentiousness, characteristics that shine through the writing bespeaking the evolution of a strong and remarkable character.\"\u003cb\u003e--\u003ci\u003eThe New York Times\u003c\/i\u003e\u003c\/b\u003e","brand":"Crossing Press","offers":[{"title":"Default Title","offer_id":53537230717294,"sku":"9780895941220","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/1007\/0382\/files\/imageloader_4f4c7d23-96f9-4585-a7a9-23320c321377.jpg?v=1774453088"},{"product_id":"fun-home-a-family-tragicomic","title":"Fun Home: A Family Tragicomic: A Family Tragicomic","description":"\u003cp\u003e\u003cb\u003eCRITICALLY ACCLAIMED, NATIONAL BESTSELLER \u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eONE OF THE NEW YORK TIMES 100 BEST BOOKS OF THE 21\u003csup\u003eST\u003c\/sup\u003e CENTURY\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eTime Magazine #1 Book of the Year - National Book Critics Circle Award Finalist \u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eWinner of the Stonewall Book Award - Double finalist for the Lambda Book Award \u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eAlison Bechdel's groundbreaking, bestselling literary graphic memoir that charts her fraught relationship with her late father. \u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e Distant and exacting, Bruce Bechdel was an English teacher and director of the town funeral home, which Alison and her family referred to as the \"Fun Home.\" It was not until college that Alison, who had recently come out as a lesbian, discovered that her father was also gay. 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I have waited years for this book.\"--Laila Lalami, \u003ci\u003eThe Guardian\u003c\/i\u003e\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003e\u003cb\u003e\"Thrilling . . . ingenious.\"--Wesley Morris, \u003ci\u003eThe New York Times\u003c\/i\u003e\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003e\u003cb\u003e\"In this lavish yet clear-eyed study, Serpell shows how Morrison breathed new life into the novel. This is literary criticism at its finest.\"--\u003ci\u003eTime\u003c\/i\u003e\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003e\u003cb\u003e\"Revelatory . . . will captivate everyone from newcomers to [Morrison's] most devoted fans.\"\u003ci\u003e--Vulture\u003c\/i\u003e\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003e\u003cb\u003e\"Invigorating . . . an informed, accessible literary analysis.\"\u003ci\u003e--The Wall Street Journal \u003c\/i\u003e\u003c\/b\u003e\u003cp\u003e\u003c\/p\u003e\"Resplendent . . . fresh and smart . . . 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This dialogue on the page between two black women artist-readers is stylish, edifying, and thrilling in its scope and intelligence.","brand":"Hogarth Press","offers":[{"title":"Default Title","offer_id":53548094685550,"sku":"9780593732915","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/1007\/0382\/files\/imageloader_afe493ef-00aa-48de-9118-96a7cfd956bb.jpg?v=1774494003"},{"product_id":"the-story-of-art-without-men","title":"The Story of Art Without Men","description":"\u003cp\u003eHow many women artists do you know? Who makes art history? Did women even work as artists before the twentieth century? 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A no-nonsense, hard-hitting, seriously researched (but readable) account of what we are. How female bodies evolved, how they work, what it really means to biologically be a woman. Something that would rewrite the story of womanhood. This book is that story. We have to put the female body in the picture. If we don't, it's not just feminism that's compromised. Modern medicine, neurobiology, paleoanthropology, even evolutionary biology all take a hit when we ignore the fact that half of us have breasts. So it's time we talk about breasts. Breasts, and blood, and fat, and vaginas, and wombs--all of it. How they came to be and how we live with them now, no matter how weird or hilarious the truth is.\" \u003cp\u003e\u003c\/p\u003e \u003ci\u003eEve\u003c\/i\u003e is not only a sweeping revision of human history, it's an urgent and necessary corrective for a world that has focused primarily on the male body for far too long. 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Morris places Butler's story firmly within the cultural, social, and historical context that shaped her life: the Civil Rights Movement, Black Power, women's liberation, queer rights, Reaganomics. Morris reveals how these influences profoundly impacted Butler's personal and intellectual trajectory and shaped the ideas central to her writing. Her cautionary tales warn us about succumbing to fascism, gender-based violence, and climate chaos while offering alternate paradigms to religion, family, and understanding our relationships to ourselves. Butler envisioned futures with Black women at the center, raising our awareness of how those who are often dismissed have the knowledge to shift the landscape of our world. But her characters are no magical martyrs, they are tough, flawed, intelligent, and complicated, a reflection of Butler's stories. \u003c\/p\u003e\u003cp\u003eMorris explains what drove Butler: She wrote because she felt she must. \"Who was I anyway? Why should anyone pay attention to what I had to say? Did I have anything to say? I was writing science fiction and fantasy, for God's sake. At that time nearly all professional science-fiction writers were white men. As much as I loved science fiction and fantasy, what was I doing? Well, whatever it was, I couldn't stop. Positive obsession is about not being able to stop just because you're afraid and full of doubts. Positive obsession is dangerous. It's about not being able to stop at all.\" \u003c\/p\u003e","brand":"Amistad Press","offers":[{"title":"Default Title","offer_id":53559357997422,"sku":"9780063212077","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/1007\/0382\/files\/imageloader_1edf2a8c-90c8-44ac-b440-ef4718a8ef07.jpg?v=1774640558"},{"product_id":"the-immortal-life-of-henrietta-lacks","title":"The Immortal Life of Henrietta Lacks","description":"\u003cb\u003e#1 \u003ci\u003eNEW YORK TIMES \u003c\/i\u003eBESTSELLER - \"The story of modern medicine and bioethics--and, indeed, race relations--is refracted beautifully, and movingly.\"--\u003ci\u003eEntertainment Weekly\u003c\/i\u003e\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003e\u003cb\u003eNOW A MAJOR MOTION PICTURE FROM HBO(R) STARRING OPRAH WINFREY AND ROSE BYRNE - ONE OF THE \"MOST INFLUENTIAL\" (CNN), \"DEFINING\" (\u003ci\u003eLITHUB\u003c\/i\u003e), AND \"BEST\" (\u003ci\u003eTHE PHILADELPHIA INQUIRER\u003c\/i\u003e) BOOKS OF THE DECADE - ONE OF \u003ci\u003eESSENCE\u003c\/i\u003e'S 50 MOST IMPACTFUL BLACK BOOKS OF THE PAST 50 YEARS - WINNER OF THE \u003ci\u003eCHICAGO TRIBUNE \u003c\/i\u003eHEARTLAND PRIZE FOR NONFICTION - A \u003ci\u003eKIRKUS REVIEWS \u003c\/i\u003eBEST NONFICTION BOOK OF THE CENTURY\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003e\u003cb\u003eA BEST BOOK OF THE YEAR: \u003ci\u003eThe New York Times Book Review, Entertainment Weekly, O: The Oprah Magazine, \u003c\/i\u003eNPR, \u003ci\u003eFinancial Times, New York, Independent \u003c\/i\u003e(U.K.), \u003ci\u003eTimes \u003c\/i\u003e(U.K.), \u003ci\u003ePublishers Weekly, Library Journal, Kirkus Reviews, Booklist, Globe and Mail\u003c\/i\u003e\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003eHer name was Henrietta Lacks, but scientists know her as HeLa. She was a poor Southern tobacco farmer who worked the same land as her slave ancestors, yet her cells--taken without her knowledge--became one of the most important tools in medicine: The first \"immortal\" human cells grown in culture, which are still alive today, though she has been dead for more than sixty years. HeLa cells were vital for developing the polio vaccine; uncovered secrets of cancer, viruses, and the atom bomb's effects; helped lead to important advances like in vitro fertilization, cloning, and gene mapping; and have been bought and sold by the billions. \u003cp\u003e\u003c\/p\u003eYet Henrietta Lacks remains virtually unknown, buried in an unmarked grave. \u003cp\u003e\u003c\/p\u003eHenrietta's family did not learn of her \"immortality\" until more than twenty years after her death, when scientists investigating HeLa began using her husband and children in research without informed consent. And though the cells had launched a multimillion-dollar industry that sells human biological materials, her family never saw any of the profits. As Rebecca Skloot so brilliantly shows, the story of the Lacks family--past and present--is inextricably connected to the dark history of experimentation on African Americans, the birth of bioethics, and the legal battles over whether we control the stuff we are made of. \u003cp\u003e\u003c\/p\u003eOver the decade it took to uncover this story, Rebecca became enmeshed in the lives of the Lacks family--especially Henrietta's daughter Deborah. Deborah was consumed with questions: Had scientists cloned her mother? Had they killed her to harvest her cells? And if her mother was so important to medicine, why couldn't her children afford health insurance? \u003cp\u003e\u003c\/p\u003eIntimate in feeling, astonishing in scope, and impossible to put down, \u003ci\u003eThe Immortal Life of Henrietta Lacks\u003c\/i\u003e captures the beauty and drama of scientific discovery, as well as its human consequences.","brand":"Crown Publishing Group (NY)","offers":[{"title":"Default Title","offer_id":53559358685550,"sku":"9781400052189","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/1007\/0382\/files\/imageloader_9ac912c5-c3bb-46c4-b6f4-c40477ee42a2.jpg?v=1774640562"},{"product_id":"a-womans-work-reclaiming-the-radical-history-of-mothering","title":"A Woman's Work: Reclaiming the Radical History of Mothering","description":"\u003cb\u003eFrom the author of \u003ci\u003eUnwell Women \u003c\/i\u003ecomes a powerful and groundbreaking new narrative history of motherhood and mothering.\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003eMothers make history. 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Later, pioneers like Mary Wollstonecraft laid the intellectual foundation for the liberation of motherhood from male control, and the abhorrent treatment of enslaved mothers was brought to public attention by courageous activists like Sojourner Truth. 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She walked the abandoned streets of Hong Kong to take food to her daughter's father, a prisoner of war. She fought off the advances of overzealous Yugoslavian diplomats, found overlooked details of world history in a dentist's kitchen in Sarajevo. She traveled alone to Mexico. She traveled alone to Congo. She traveled alone to the American South. She married Hemingway. She married a Chinese poet-playboy-publisher, then married a British war hero. She fell in love with H. G. Wells. She gave birth and raised a child on her own. She landed on the front page of the newspaper. She wrote for the great magazines of her time--\u003ci\u003eVogue\u003c\/i\u003e, \u003ci\u003eThe New Yorker\u003c\/i\u003e, \u003ci\u003eHarper's Bazaar\u003c\/i\u003e. She wrote a play. She wrote a memoir. She wrote a genre-breaking travel narrative. She wrote bestsellers. She wrote and wrote and wrote. She changed the very way we think about writing and the way journalists craft stories--which sources are viable, which details are important--and the way women move and work in the world. \u003cp\u003e\u003c\/p\u003eShe was Martha Gellhorn. She was Emily \"Mickey\" Hahn. She was Rebecca West. Each woman was starry-eyed for success, for adventure, and helped ensure that other starry and restless women could make unforgettable lives for themselves. They fought for their lives and their work. They were praised and criticized for it all. \u003cp\u003e\u003c\/p\u003eIn language as lively and nimble, in passages as intimate and adventurous, and with conviction as fierce and indefatigable as her subjects' own, Julia Cooke's\u003ci\u003e Starry and Restless\u003c\/i\u003e plays out the stories of three women across three decades and five continents. Martha, Mickey, Rebecca--journalists, authors, mothers, lovers, friends. 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The book's open, identity-affirming view of sex is wildly empowering, particularly for young people who might not have had the idea ingrained in them that intimate contact with another person should always be initiated out of a desire for pleasure.\" --\u003cstrong\u003e\u003cem\u003eVogue\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\"[brown] demonstrates how we can tap into our emotional and erotic desires to organize against oppression.\" --\u003cem\u003e\u003cstrong\u003eColorlines\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\"adrienne maree brown...continues to stake her claim as one of our most critical thinkers and strategists by intentionally combining the power of story-telling with practical applications to help readers conjure their own definition of pleasure and how it is inextricably linked to every part of our existence.\" --\u003cstrong\u003eMonica Simpson, SisterSong Women of Color Reproductive Justice Collective\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\"adrienne marie brown is back, again dropping wisdom about alternative ways to live at this deeply fucked-up moment ... 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It's like a wise and juicy black goddess reopened Eden and said, 'Okay, everybody, let's try this again.'\" --\u003cstrong\u003eVeronica Vera, author \u0026amp; founder of \u003cem\u003eMiss Vera's Finishing School For Boys Who Want to Be Girls\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"AK Press","offers":[{"title":"Default Title","offer_id":53559361372526,"sku":"9781849353267","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/1007\/0382\/files\/imageloader_69ec1994-8fc5-4ef2-8ea4-da03cf9ae29f.jpg?v=1774640581"},{"product_id":"on-our-best-behavior-the-price-women-pay-to-be-good","title":"On Our Best Behavior: The Price Women Pay to Be Good: The Price Women Pay to Be Good","description":"\u003cb\u003e\u003ci\u003eNEW YORK TIMES \u003c\/i\u003eBESTSELLER - A groundbreaking exploration of the ancient rules women unwittingly follow in order to be considered \"good,\" revealing how the Seven Deadly Sins still control and distort our lives and illuminating a path toward a more balanced, spiritually complete way to live\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003e\u003ci\u003eWhy do women equate self-denial with being good? \u003c\/i\u003e \u003cp\u003e\u003c\/p\u003eWe congratulate ourselves when we resist the donut in the office breakroom. 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Whether she was sparking controversy on campuses or facing criticism from contemporaries, hooks relentlessly challenged herself and those around her, inserted herself into the tensions of the cultural moment, and anchored herself with love.","brand":"Melville House Publishing","offers":[{"title":"Default Title","offer_id":53633577779566,"sku":"9781685890797","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/1007\/0382\/files\/imageloader_d846463d-3d07-45ba-8989-ba4c725a4a62.jpg?v=1776345547"},{"product_id":"the-boy-the-mole-the-fox-and-the-horse","title":"The Boy, the Mole, the Fox and the Horse","description":"\u003cp\u003e\u003cb\u003e#1 \u003ci\u003eNEW YORK TIMES\u003c\/i\u003e BESTSELLER\u003c\/b\u003e - \u003cb\u003e\u003ci\u003eWALL STREET JOURNAL \u003c\/i\u003eBESTSELLER \u003c\/b\u003e - \u003cb\u003e\u003ci\u003eUSA TODAY\u003c\/i\u003e BESTSELLER\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\"\u003ci\u003eThe Boy, the Mole, the Fox and the Horse\u003c\/i\u003e is not only a thought-provoking, discussion-worthy story, the book itself is an object of art.\"- Elizabeth Egan, \u003ci\u003eThe New York Times\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eFrom British illustrator, artist, and author Charlie Mackesy comes a modern fable and journey for all ages that explores life's universal lessons, featuring 100 color and black-and-white drawings.\u003c\/p\u003e\u003cp\u003e\u003ci\u003e\"What do you want to be when you grow up?\" asked the mole.\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003e\"Kind,\" said the boy.\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eCharlie Mackesy offers inspiration and hope in uncertain times in this beautiful book, a heartwarming tale following a curious boy, a greedy mole, a wary fox and a wise horse who find themselves together in sometimes difficult terrain, sharing their greatest fears and biggest discoveries about vulnerability, kindness, hope, friendship and love. 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As acetone organist for the Contortions and Brian Eno's assistant, she was at the epicenter when punk collided with post-punk, when Lydia Lunch screamed her first songs, when Kathy Acker was penning her transgressive novels, when Kathryn Bigelow was making her first films. \u003cp\u003e\u003c\/p\u003e\u003ci\u003eNo New York \u003c\/i\u003ereveals the untold story of the boundary-pushing women who made No Wave possible: Nan Goldin capturing flash-lit portraits of gender fluidity, Barbara Kruger deconstructing media, Kiki Smith exploring the body's mysteries, Lizzie Borden challenging cinema itself. While mainstream culture wallowed in sexism and homophobia, these artists created something fluid, fierce, and transgressive. \u003cp\u003e\u003c\/p\u003eRaw and gripping, \u003ci\u003eNo New York\u003c\/i\u003e takes readers deep into the artistic and sexual experimentation of an era when everyone read Jean Genet, quoted Antonin Artaud, and believed true expression mattered more than money or fame. \u003cp\u003e\u003c\/p\u003eIncludes 55 rarely seen images of iconic musicians and artists that capture the look and feel of the era. Images are from Bertei's personal collection as well as well-known artists and photographers like Nan Goldin, Richard Prince, Vivienne Dick, Michael Granros, Marcia Resnick, and Julia Gorton.","brand":"Beacon Press","offers":[{"title":"Default Title","offer_id":53640360362350,"sku":"9780807024881","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/1007\/0382\/files\/imageloader_ca8ec4cb-4529-416d-b2e0-0b14983f5925.jpg?v=1776643092"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/1007\/0382\/collections\/imageloader_3d132daa-3c43-48af-a025-18f791487e3f.jpg?v=1774625707","url":"https:\/\/tenderbuttonsbooks.com\/collections\/womens-studies.oembed","provider":"Tender Buttons Books","version":"1.0","type":"link"}