{"title":"SEMIOTEXT(E)","description":"","products":[{"product_id":"love-me-tender","title":"Love Me Tender","description":"\u003cb\u003eA novel of lesbian identity and motherhood, and the societal pressures that place them in opposition.\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003eThe daughter of an illustrious French family whose members include a former Prime Minister, a model, and a journalist, Constance Debré abandoned her marriage and legal career in 2015 to write full-time and begin a relationship with a woman. Her transformation from affluent career woman to broke single lesbian was chronicled in her 2018 novel \u003ci\u003ePlay boy\u003c\/i\u003e, praised by Virginie Despentes for its writing that is at once \"flippant and consumed by anxiety.\" \u003cp\u003e\u003c\/p\u003eIn \u003ci\u003eLove Me Tender\u003c\/i\u003e, Debré goes on to further describe the consequences of that life-changing decision. Her husband, Laurent, seeks to permanently separate her from their eight-year old child. Vilified in divorce court by her ex, she loses custody of her son and is allowed to see him only once every two weeks for a supervised hour. Deprived of her child, Debré gives up her two-bedroom apartment and bounces between borrowed apartments, hotel rooms, and a studio the size of a cell. She involves herself in brief affairs with numerous women who vary in age, body type, language, and lifestyle. But the closer she gets to them, the more distant she feels. Apart from cigarettes and sex, her life is completely ascetic: a regime of intense reading and writing, interrupted only by sleep and athletic swimming. She shuns any place where she might observe children, avoiding playgrounds and parks \"as if they were cluster bombs ready to explode, riddling her body with pieces of shrapnel.\" \u003cp\u003e\u003c\/p\u003eWriting graphically about sex, rupture, longing, and despair in the first person, Debré's work is often compared with the punk-era writings of Guillaume Dustan and Herve Guibert, whose work she has championed. As she says of Guibert: \"I love him because he says I and he's a pornographer. That seems to be essential when you write. Otherwise you don't say anything.\" But in \u003ci\u003eLove Me Tender\u003c\/i\u003e, Debré speaks courageously of love in its many forms, reframing what it means to be a mother beyond conventional expectations.","brand":"Semiotext(e)","offers":[{"title":"Default Title","offer_id":53537247560046,"sku":"9781635901740","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/1007\/0382\/files\/imageloader_b1dab4de-4fd7-4e47-9d5c-afdc09714495.jpg?v=1774453207"},{"product_id":"i-love-dick","title":"I Love Dick","description":"\u003cb\u003eA self-described failed filmmaker falls obsessively in love with her theorist-husband's colleague: a manifesto for a new kind of feminism and the power of first-person narration.\u003c\/b\u003e\u003cp\u003eIn \u003ci\u003eI Love Dick\u003c\/i\u003e, published in 1997, Chris Kraus, author of \u003ci\u003eAliens \u0026amp; Anorexia\u003c\/i\u003e, \u003ci\u003eTorpor\u003c\/i\u003e, and \u003ci\u003eVideo Green\u003c\/i\u003e, boldly tore away the veil that separates fiction from reality and privacy from self-expression. It's no wonder that\u003ci\u003e I Love Dick\u003c\/i\u003e instantly elicited violent controversies and attracted a host of passionate admirers. The story is gripping enough: in 1994 a married, failed independent filmmaker, turning forty, falls in love with a well-known theorist and endeavors to seduce him with the help of her husband. But when the theorist refuses to answer her letters, the husband and wife continue the correspondence for each other instead, imagining the fling the wife wishes to have with Dick. What follows is a breathless pursuit that takes the woman across America and away from her husband and far beyond her original infatuation into a discovery of the transformative power of first person narrative. \u003ci\u003eI Love Dick \u003c\/i\u003eis a manifesto for a new kind of feminist who isn't afraid to burn through her own narcissism in order to assume responsibility for herself and for all the injustice in world and it's a book you won't put down until the author's final, heroic acts of self-revelation and transformation.\u003c\/p\u003e","brand":"Semiotext(e)","offers":[{"title":"Default Title","offer_id":53632175473006,"sku":"9781584350347","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/1007\/0382\/files\/imageloader_0b101a48-e416-47f8-9429-d74f522a09af.jpg?v=1776305690"},{"product_id":"service-1","title":"Service","description":"\u003cb\u003eA darkly comic novel set on the lower slopes of the Los Angeles literary world.\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003e\u003ci\u003eI stepped out to behold a crimson-streaked sky that would soon be adorning ten thousand Instagram posts, and walked down the sleepy residential streets, suffused with a soft and forgiving evening light, to the main drag. It felt like the end here, both sanctuary and termination: a soft place of harsh realities where a sun that once meant something barely brushed against the world. The perfect spring evening was blighted only by the citizenry.\u003c\/i\u003e \u003cp\u003e\u003c\/p\u003eA journalist in his late forties--having lost his job as a consequence of the death of print media--finds himself working at a bookstore in a rapidly gentrifying Los Angeles neighborhood, where he is thrown into the company of a younger generation with whom he has little in common. Embittered by his lowly position at this late stage of what had once been a promising career, he collapses his longtime ambition of writing a novel into a hilariously cathartic litany of contempt for his present circumstances. \u003cp\u003e\u003c\/p\u003e\u003ci\u003eService\u003c\/i\u003e examines the plight of the unrepentant artistic outsider in an unforgiving day and age. It alternates between passages that painstakingly describe the protagonist's fraught attempts to write his novel and such scenes of service work as wrapping children's books for Silver Lake moms and being \"pilloried by dunces\" on Yelp. As his writing process stalls in a \"stale ceremony\" of indolence and self-doubt, these unfamiliar humiliations become a toxic wellspring for his irascible observations. \u003cp\u003e\u003c\/p\u003eWith his notoriously dry wit, John Tottenham's debut novel reflects on a farrago of contemporary afflictions: gentrification, debt, friendship, aging gracelessly, self-medication, male vanity, professional jealousy, the perils of political correctness, and the role of literature in the digital era. Eventually, after endlessly agonizing about matters of form and style, he finds that despite himself he has actually written a book.","brand":"Semiotext(e)","offers":[{"title":"Default Title","offer_id":53632175538542,"sku":"9781635902495","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/1007\/0382\/files\/imageloader_f42f982f-75cf-41fa-89f5-5a09e8102b34.jpg?v=1776305693"},{"product_id":"playboy","title":"Playboy","description":"\u003cb\u003eThe prequel to \u003ci\u003eLove Me Tender\u003c\/i\u003e, narrating Debré's transformation from affluent career woman to broke single lesbian and writer.\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003e\u003ci\u003eI see all her beauty, I see the beauty of women. I see my own body, new. I tell myself there are so many things that are possible.\u003c\/i\u003e \u003cp\u003e\u003c\/p\u003ePublished in France in 2018, \u003ci\u003ePlayboy\u003c\/i\u003e is the first volume of Constance Debré's renowned debut trilogy that describes her decision, at age forty-three, to abandon her marriage, her legal career, and her bourgeois Parisian life to become a lesbian and a writer. \u003cp\u003e\u003c\/p\u003eThe novel unfolds in a series of short, sharp vignettes. The narrator's descriptions of her first female lovers--a married woman fifteen years older than her, a model ten years her junior--are punctuated by encounters with her ex-husband, her father, and her son. \u003cp\u003e\u003c\/p\u003eAs Debré recently told \u003ci\u003eGranta\u003c\/i\u003e \"It was a bit like Saint Augustine and his conversion. In the same week, I had sex with a girl and I had the feeling that I could write. I had this incredible feeling that I could catch things, that life was there to be caught.\" \u003cp\u003e\u003c\/p\u003eLooking at the world through fresh eyes, the narrator of \u003ci\u003ePlayboy\u003c\/i\u003e questions everything that once lay beneath the surface of her well-managed life. Laconic, aggressive, and radically truthful, she examines gender and marriage, selfishness and sacrifice, money and family, even the privilege inherent in her downward mobility. \u003cp\u003e\u003c\/p\u003eWriting her way toward her own liberation, Debré chronicles the process that made her one of the most brilliant, important French writers today.","brand":"Semiotext(e)","offers":[{"title":"Default Title","offer_id":53632175604078,"sku":"9781635902105","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/1007\/0382\/files\/imageloader_7d4002a6-f3b8-4822-85b1-0d3079dfd15b.jpg?v=1776305695"},{"product_id":"offenses","title":"Offenses","description":"\u003cb\u003eAn account of flawed justice, based on the true story of a murder in a housing project outside Paris.\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003e\u003ci\u003eHe is guilty, yes. He is guilty of having yielded, of not allowing himself to be crushed. He is guilty of not having been reasonable, of not having stayed in his place, the one that was his. To have disturbed the order of things...\u003c\/i\u003e \u003cp\u003e\u003c\/p\u003eTen stab wounds. An old woman in a pool of blood. A nineteen-year-old neighbor now a murderer. \u003cp\u003e\u003c\/p\u003eSince publishing her first novel in 2018, Constance Debré's work has exposed the flaws in the social order with dizzying passion and intelligence. Her first-person trilogy--\u003ci\u003ePlayboy\u003c\/i\u003e, \u003ci\u003eLove Me Tender\u003c\/i\u003e, and \u003ci\u003eName--\u003c\/i\u003edescribes the trajectory of leaving a comfortable bourgeois life as mother and wife employed as a criminal justice attorney to become a writer and lesbian. Her books radically challenge all received ideas of the couple, motherhood, family, and inheritance. \u003cp\u003e\u003c\/p\u003eIn \u003ci\u003eOffenses\u003c\/i\u003e, Debré trains her sights on a single case of inevitably flawed justice that, like hundreds of others like it, reveals the enmeshed culpabilities of the perpetrator, the victim, the place, and the past. In a housing project adjacent to Paris, an unemployed teenager kills his elderly neighbor in order to pay off a drug debt of 450. Writing with impassioned detachment, Debré uses forensic detail to explore the ambient senselessness behind this senseless crime. \u003cp\u003e\u003c\/p\u003e\u003ci\u003eThere is a geography\u003c\/i\u003e, Debré writes. \u003ci\u003eWe live in a vertical world, you don't see. A world made of worlds. Not side by side but set concentrically and upon one another. A bit like Middle Age representations of the universe, a bit like Dante's circles of hell. Each world only communicating with the worlds directly in contact with it and none of the others.\u003c\/i\u003e \u003cp\u003e\u003c\/p\u003eIn \u003ci\u003eOffenses\u003c\/i\u003e, Debré scathingly describes the misery of poverty and the absence of any horizon beyond.","brand":"Semiotext(e)","offers":[{"title":"Default Title","offer_id":53632175669614,"sku":"9781635902723","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/1007\/0382\/files\/imageloader_29e6100f-bdfc-4051-845b-52e1f288dd71.jpg?v=1776305698"},{"product_id":"lee-elaine","title":"Lee \u0026 Elaine","description":"\u003cb\u003eAnn Rower's forgotten turn-of-the-millennium classic that looks at the lives of Lee Krasner and Elaine de Kooning with obsessed, louche brilliance.\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003e\u003ci\u003eMaybe it was the car, the dangerous thrill of driving around, fast. I'm from the suburbs. I love driving, especially a red car, even a rental. Nothing is really mine. Maybe that's what I love. Is that sick? I skidded a little, taking a turn too quick, looking at the water not the road. I knew the roads weren't that safe. There had been many famous accidents out here. I almost did a Jackson--Jackson Pollock's drunk car tree Saturday night death on this same road. But I was struggling to eat a muffin, not slugging from a pint like he must have been, while juggling his scared girlfriend and her terrified friend.\u003c\/i\u003e \u003cp\u003e\u003c\/p\u003eSeparating from her long-term partner Jack and beginning a passionate affair with a much younger female student, the narrator of \u003ci\u003eLee and Elaine\u003c\/i\u003e takes time off to write. Leaving Manhattan for an off-season Springs, East Hampton rental and haunting the Green River Cemetery where artistic giants of the mid-twentieth century are buried, she becomes obsessed with the lives and friendship of Lee Krasner and Elaine de Kooning, who were both artists and the wives of famous men. \u003ci\u003eThey were always so peripheral\u003c\/i\u003e, she writes. \u003ci\u003eSuddenly I wanted to find out about these women. Find them, period.\u003c\/i\u003e \u003cp\u003e\u003c\/p\u003eFirst published by Serpent's Tail's in 2002, the novel was republished as an ebook in 2013 by Emily Books. Written with Rower's trademark louche and brilliant, mouthy, and deceptively casual style, it remains a forgotten classic of the turn of the millennium. With piercing and hilarious straightforwardness, the narrator turns the process of unearthing art-world gossip and tearing down her own life's substructure into a searching and original examination of sexuality and friendship, art and ambition.","brand":"Semiotext(e)","offers":[{"title":"Default Title","offer_id":53632175735150,"sku":"9781635902747","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/1007\/0382\/files\/imageloader_104b7754-76b0-40f6-aa56-1ec94e044bc7.jpg?v=1776305701"},{"product_id":"name","title":"Name","description":"\u003cb\u003eA searing disavowal of identity and inheritance, which completes Constace Debré's acclaimed trilogy.\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003e\u003ci\u003eI have a political agenda. I am in favor of the elimination of inheritance, the requirement that ancestors sustain their descendants, I am for the elimination of parental authority, I am for the abolition of marriage, I am in favor of children getting some distance from their parents at as young an age as possible, I am for the abolition of filiation, and for the abolition of the family name, I am against guardianship, minority, I am against patrimony, I am against having a domicile, a nationality ... I am for eliminating the family, I am in favor of eliminating childhood as well, if we can.\u003c\/i\u003e \u003cp\u003e\u003c\/p\u003e\u003ci\u003eName\u003c\/i\u003e, the third novel in Constance Debré's acclaimed trilogy, is at once a manifesto, an ecstatic poem, and a political pamphlet. By rejecting the notion of given identity, her narrator approaches the heart of the radical emptiness that the earlier books were pursuing. \u003cp\u003e\u003c\/p\u003eNewly single, and having recently come out as a lesbian, the narrator of Debré's first two novels embarked on a monastic regime of exercise, sex, and writing. Using the facts of her own life as impersonal \"material\" for literature, \u003ci\u003ePlayboy\u003c\/i\u003e and \u003ci\u003eLove Me Tender\u003c\/i\u003e epitomized what Debré (after Thomas Bernhard) has called \"antiautobiography.\" They introduced French and American readers to her fiercely spare prose, distilled from influences as disparate as Saint Augustine, Albert Camus, and Guillaume Dustan. \"Minimalist and at times even desolate,\" wrote the \u003ci\u003eNew York Review of Books\u003c\/i\u003e, these works defied \"the expectations of personal growth that animate much feminist literature.\" \u003cp\u003e\u003c\/p\u003e\u003ci\u003eName\u003c\/i\u003e is Debré's most intense novel yet. Set partly in the narrator's childhood, it rejects Proustian notions of \"regaining\" the past. Instead, its narrator seeks a state of profound disownment: \"We have to get rid of the idea of origins, once and for all, I'm not holding onto the corpses. ... Being free has nothing to do with that clutter, with having suffered or not, being free is the void.\" To achieve true freedom, she dares to enter this \"void\"--that is, dares to accept the pain, loss, and violence of life. Brilliant and searing, Name affirms and extends Debré's radical project.","brand":"Semiotext(e)","offers":[{"title":"Default Title","offer_id":53632175833454,"sku":"9781635902389","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/1007\/0382\/files\/imageloader_c7ae3d93-4df1-43f2-a705-d70ade2d41ae.jpg?v=1776305703"},{"product_id":"im-very-into-you-correspondence-1995-1996","title":"I'm Very Into You: Correspondence 1995-1996: Correspondence 1995-1996","description":"\u003cb\u003eThe tempestuous email correspondence between Kathy Acker and McKenzie Wark, shimmering with insight, gossip, sex, and cultural commentary.\u003c\/b\u003e\u003cp\u003e\"Why am I telling you all this? Partly 'cause the whole queerness\/identity thing for me stretches through everything, absolutely everything. Slipping between straight\/gay is child's play compared to slipping between writer\/teacher\/influence-peddler whatever. I forget who I am. You reminded me of who I prefer to be.\" [M.W.]\u003c\/p\u003e\u003cp\u003e\"It's two in the morning... I know what you mean about slipping roles: I love it, going high low, power helpless even captive, male female, all over the place, space totally together and brain-sharp, if it wasn't for play I'd be bored stiff and I think boredom is the emotion I find most unbearable... \" [KA]\u003cbr\u003e--from \u003ci\u003eI'm Very into You\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eAfter Kathy Acker met McKenzie Wark on a trip to Australia in 1995, they had a brief fling and immediately began a heated two-week email correspondence. Their emails shimmer with insight, gossip, sex, and cultural commentary. They write in a frenzy, several times a day; their emails cross somewhere over the International Date Line, and themselves become a site of analysis. What results is an index of how two brilliant and idiosyncratic writers might go about a courtship across 7,500 miles of airspace--by pulling in Alfred Hitchcock, stuffed animals, Georges Bataille, Elvis Presley, phenomenology, Marxism, \u003ci\u003eThe X-files\u003c\/i\u003e, psychoanalysis, and the \u003ci\u003eI Ching\u003c\/i\u003e.\u003c\/p\u003e\u003cp\u003eTheir corresepondence is a Plato's Symposium for the twenty-first century, but written for queers, transsexuals, nerds, and book geeks. \u003ci\u003eI'm Very Into You\u003c\/i\u003e is a text of incipience, a text of beginnings, and a set of notes on the short, shared passage of two iconic individuals of our time.\u003c\/p\u003e","brand":"Semiotext(e)","offers":[{"title":"Default Title","offer_id":53632175898990,"sku":"9781584351641","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/1007\/0382\/files\/imageloader_d8de21c2-c463-459d-96ba-ee6d81b12f85.jpg?v=1776305706"},{"product_id":"notice","title":"Notice","description":"\u003cb\u003eA classic queer text of trauma, written by one of the most talented novelists of her generation.\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003e\u003ci\u003eThe reason it's never just once is the same reason money's only a part of it. Most anyone can take or leave that, though they don't think they can. The cover story of all time, that's what money is. The excuse of excuses no one will question because they so much need to use it themselves.\u003c\/i\u003e \u003cp\u003e\u003c\/p\u003ePublished by Doubleday in 1994, Heather Lewis's chilling debut novel took place on the northeastern equestrian show-riding circuit, to which Lewis herself belonged in her teens. Expelled from boarding school, its fifteen-year-old narrator moves numbly through a world of motel rooms, heroin, dyke love, and doped horses. \u003ci\u003eKirkus Reviews\u003c\/i\u003e found it \"brutal, sensual, honest, seductive ... a powerful debut,\" while the \u003ci\u003eNew York Times\u003c\/i\u003e found the book \"grating and troublesome ... it's difficult to imagine a more passive specimen.\" \u003cp\u003e\u003c\/p\u003eAlmost immediately, Lewis began writing \u003ci\u003eNotice\u003c\/i\u003e, a novel that moves even further into dark territory. The teenaged narrator Nina begins turning tricks in the parking lot of the train station near the Westchester County home of her absent parents. She soon falls into a sadomasochistic relationship with a couple. Arrested, she's saved by a counselor and admitted to a psychiatric facility. But these soft forms of control turn out to be even worse. Writing in the register of an emotional fugue state, \u003ci\u003eNotice\u003c\/i\u003e's helpless but all-knowing narrator is as smooth and sharp as a knife. \u003cp\u003e\u003c\/p\u003eRejected by every publisher who read it during Lewis's life, \u003ci\u003eNotice\u003c\/i\u003e was eventually published by Serpent's Tail in 2004, two years after her death. The book, long out of print, emerged as a classic queer text of trauma, written by one of the most talented novelists of her generation.","brand":"Semiotext(e)","offers":[{"title":"Default Title","offer_id":53632175964526,"sku":"9781635902044","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/1007\/0382\/files\/imageloader_8a3c1cb4-f900-443c-a3b6-cdb3bae26c19.jpg?v=1776305709"},{"product_id":"heroines-new-edition","title":"Heroines, New Edition","description":"\u003cb\u003eA manifesto reclaiming the wives and mistresses of literary modernism that inspired a generation of writers and scholars, reissued after more than a decade.\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003e\u003ci\u003eI am beginning to realize that taking the self out of our essays is a form of repression. Taking the self out feels like obeying a gag order--pretending an objectivity where there is nothing objective about the experience of confronting and engaging with and swooning over literature.\u003c\/i\u003e \u003cp\u003e\u003c\/p\u003eOn the last day of December 2009, Kate Zambreno, then an unpublished writer, began a blog called \"Frances Farmer Is My Sister,\" arising from her obsession with literary modernism and her recent transplantation to Akron, Ohio, where her partner held a university job. Widely reposted, Zambreno's blog became an outlet for her highly informed and passionate rants and melancholy portraits of the fates of the modernist \"wives and mistresses,\" reclaiming the traditionally pathologized biographies of Vivienne Eliot, Jane Bowles, Jean Rhys, and Zelda Fitzgerald: writers and artists themselves who served as male writers' muses only to end their lives silenced, erased, and institutionalized. Over the course of two years, Frances Farmer Is My Sister helped create a community of writers and devised a new feminist discourse of writing in the margins and developing an alternative canon. \u003cp\u003e\u003c\/p\u003eIn \u003ci\u003eHeroines\u003c\/i\u003e, Zambreno extends the polemic begun on her blog into a dazzling, original work of literary scholarship. Combing theories that have dictated what literature should be and who is allowed to write it--she traces the genesis of a cultural template that consistently exiles feminine experience to the realm of the \"minor,\" and diagnoses women for transgressing social bounds. \"ANXIETY: When she experiences it, it's pathological,\" writes Zambreno. \"When he does, it's existential.\" With \u003ci\u003eHeroines\u003c\/i\u003e, Zambreno provided a model for a newly subjectivized criticism, prefiguring many group biographies and forms of autotheory and hybrid memoirs that were to come in the years to follow. A book that has become its own canon, \u003ci\u003eHeroines\u003c\/i\u003e was named one of the \"50 Books that define the past 5 Years in Literature\" by \u003ci\u003eFlavorwire\u003c\/i\u003e, an \"Essential Feminist Manifesto\" by \u003ci\u003eDazed\u003c\/i\u003e, and one of the \"50 Greatest Books by Women\" in \u003ci\u003eBuzzfeed\u003c\/i\u003e.","brand":"Semiotext(e)","offers":[{"title":"Default Title","offer_id":53632176030062,"sku":"9781635902082","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/1007\/0382\/files\/imageloader_031d51ce-0c9d-414e-893a-6717485bd0b6.jpg?v=1776305712"},{"product_id":"no-91-92-a-diary-of-a-year-on-the-bus","title":"No. 91\/92: A Diary of a Year on the Bus: A Diary of a Year on the Bus","description":"\u003cb\u003eA love letter to Paris and a meditation on how it has changed in two decades, evolving from the twentieth century into the twenty-first, from analog to digital.\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003e\u003ci\u003eYour telephone is precious. It may be envied. We recommend vigilance when using it in public. \u003c\/i\u003e\u003cbr\u003e--Paris bus public notice \u003cp\u003e\u003c\/p\u003eIn fall 2014 Lauren Elkin began keeping a diary of her bus commutes in the Notes app on her iPhone 5c, writing down the interesting things and people she saw in a Perecquian homage to Bus Lines 91 and 92, which she took from her apartment in the 5th Arrondissement to her teaching job in the 7th. \u003cp\u003e\u003c\/p\u003eReading the notice, she decided to be vigilant when using her phone: she would carry out a public transport vigil, using it to take in the world around her and notice all the things she would miss if she continued using it the way she had been, the way everyone does--to surf the web, check social media, maintain her daily sense of self through digital interaction. Her goal became to observe the world through the screen of her phone, rather than using her phone to distract from the world. \u003cp\u003e\u003c\/p\u003eDuring the course of that academic year, the Charlie Hebdo attacks occurred and Elkin had an ectopic pregnancy, requiring emergency surgery. At that point, her diary of dailiness became a study of the counterpoint between the everyday and the Event, mediated through early twenty-first century technology, and observed from the height of a bus seat. \u003ci\u003eNo. 91\/92\u003c\/i\u003e is a love letter to Paris, and a meditation on how it has changed in the two decades the author has lived there, evolving from the twentieth century into the twenty-first, from analog to digital.","brand":"Semiotext(e)","offers":[{"title":"Default Title","offer_id":53632176095598,"sku":"9781635901535","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/1007\/0382\/files\/imageloader_d44b7785-953d-4688-a6a4-223703aa3235.jpg?v=1776305715"},{"product_id":"fassbinder-thousands-of-mirrors","title":"Fassbinder Thousands of Mirrors","description":"\u003cb\u003eA kaleidoscopic study of Rainer Werner Fassbinder.\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003eMelodrama, biography, cold war thriller, drug memoir, essay in fragments, and mystery, \u003ci\u003eThousands of Mirrors\u003c\/i\u003e is cult critic Ian Penman's long-awaited first full-length book: a kaleidoscopic study of Rainer Werner Fassbinder. Written over a short period \"in the spirit\" of RWF, who would often get films made in a matter of weeks or months, \u003ci\u003eThousands of Mirrors\u003c\/i\u003e presents the filmmaker as Penman's equivalent of what Baudelaire was to Benjamin: an urban poet in the turbulent, seeds-sown, messy era just before everything changed. Beautifully written and extraordinarily compelling, echoing the fragmentary works of Roland Barthes and Emil Cioran, Eduardo Galeano and Alexander Kluge, this story has everything: sex, drugs, art, the city, cinema, and revolution.","brand":"Semiotext(e)","offers":[{"title":"Default Title","offer_id":53632176193902,"sku":"9781635901887","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/1007\/0382\/files\/imageloader_13c86c58-e8b4-4dd1-b6e4-854c7c3c7fbc.jpg?v=1776305718"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/1007\/0382\/collections\/imageloader_b1dab4de-4fd7-4e47-9d5c-afdc09714495.jpg?v=1779495576","url":"https:\/\/tenderbuttonsbooks.com\/collections\/semiotexte.oembed","provider":"Tender Buttons Books","version":"1.0","type":"link"}