{"title":"ART \u0026 DESIGN","description":"","products":[{"product_id":"minor-feelings-an-asian-american-reckoning","title":"Minor Feelings: An Asian American Reckoning","description":"\u003cb\u003e\u003cb\u003e\u003ci\u003eNEW YORK TIMES\u003c\/i\u003e BESTSELLER - PULITZER PRIZE FINALIST - NATIONAL BOOK CRITICS CIRCLE AWARD WINNER\u003c\/b\u003e \u003cb\u003e- ONE OF \u003ci\u003eTIME\u003c\/i\u003e'S 100 MOST INFLUENTIAL PEOPLE\u003c\/b\u003e \u003cb\u003e- A ruthlessly honest, emotionally charged, and utterly original exploration of Asian American consciousness\u003c\/b\u003e \u003c\/b\u003e\u003cp\u003e\u003c\/p\u003e\"Brilliant . . . To read this book is to become more human.\"--Claudia Rankine, author of \u003ci\u003eCitizen\u003c\/i\u003e \u003cp\u003e\u003c\/p\u003e\u003cb\u003e\u003cb\u003e\u003cb\u003eIn development as a television series starring and adapted by Greta Lee -\u003c\/b\u003e One of \u003ci\u003eTime\u003c\/i\u003e's 10 Best Nonfiction Books of the Year - Named One of the Best Books of the Year by \u003ci\u003eThe New York Times, The Washington Post, \u003c\/i\u003e NPR, \u003ci\u003eNew Statesman, BuzzFeed, Esquire, \u003c\/i\u003e The New York Public Library, and \u003ci\u003eBook Riot\u003c\/i\u003e\u003c\/b\u003e\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003e Poet and essayist Cathy Park Hong fearlessly and provocatively blends memoir, cultural criticism, and history to expose fresh truths about racialized consciousness in America. Part memoir and part cultural criticism, this collection is vulnerable, humorous, and provocative--and its relentless and riveting pursuit of vital questions around family and friendship, art and politics, identity and individuality, will change the way you think about our world. \u003cp\u003e\u003c\/p\u003e Binding these essays together is Hong's theory of \"minor feelings.\" As the daughter of Korean immigrants, Cathy Park Hong grew up steeped in shame, suspicion, and melancholy. She would later understand that these \"minor feelings\" occur when American optimism contradicts your own reality--when you believe the lies you're told about your own racial identity. Minor feelings are not small, they're dissonant--and in their tension Hong finds the key to the questions that haunt her. \u003cp\u003e\u003c\/p\u003e With sly humor and a poet's searching mind, Hong uses her own story as a portal into a deeper examination of racial consciousness in America today. This intimate and devastating book traces her relationship to the English language, to shame and depression, to poetry and female friendship. 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She does so with sharp wit and radical transparency.\"\u003cb\u003e--\u003ci\u003eSalon\u003c\/i\u003e\u003c\/b\u003e","brand":"One World","offers":[{"title":"Default Title","offer_id":53537198801262,"sku":"9781984820389","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/1007\/0382\/files\/imageloader_eb8dd258-0246-408d-a66e-f71716dfb22a.jpg?v=1774452571"},{"product_id":"a-woman-looking-at-men-looking-at-women-essays-on-art-sex-and-the-mind","title":"A Woman Looking at Men Looking at Women: Essays on Art, Sex, and the Mind: Essays on Art, Sex, and the Mind","description":"\u003cb\u003eA compelling, radical, \"richly explored\" (\u003ci\u003eThe New York Times Book Review\u003c\/i\u003e) and \"insightful\" (\u003ci\u003eVanity Fair\u003c\/i\u003e) collection of essays on art, feminism, neuroscience, psychology, and philosophy from prizewinning novelist Siri Hustvedt, acclaimed author of \u003ci\u003eThe Blazing World\u003c\/i\u003e and \u003ci\u003eWhat I Loved\u003c\/i\u003e.\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003eIn this expansive volume, Hustvedt presents a trilogy of intellectually daring works that reveal the striking breadth of her knowledge across the humanities and sciences. 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The range of subjects is wide--from Prince to Carolee Schneemann to Matthew Barney to Lhasa de Sela to Kara Walker--but certain themes recur: intergenerational exchange; love and friendship; feminist and queer issues, especially as they shift over time; subversion, transgression, and perversity; the roles of the critic and of language in relation to visual and performance arts; forces that feed or impede certain bodies and creators; and the fruits and follies of a life spent devoted to making. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eArranged chronologically, \u003ci\u003eLike Love\u003c\/i\u003e shows the writing, thinking, feeling, reading, looking, and conversing that occupied Nelson while writing iconic books such as \u003ci\u003eBluets\u003c\/i\u003e and \u003ci\u003eThe Argonauts.\u003c\/i\u003e As such, it is a portrait of a time, an anarchic party rich with wild guests, a window into Nelson's own development, and a testament to the profound sustenance offered by art and artists.","brand":"Graywolf Press","offers":[{"title":"Default Title","offer_id":53537233011054,"sku":"9781644453360","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/1007\/0382\/files\/imageloader_53a1e1be-e739-4852-bf09-4ab15d25abc3.jpg?v=1774453106"},{"product_id":"the-art-thief-a-true-story-of-love-crime-and-a-dangerous-obsession","title":"The Art Thief: A True Story of Love, Crime, and a Dangerous Obsession: A True Story of Love, Crime, and a Dangerous Obsession","description":"\u003cb\u003e\u003cb\u003e#1 \u003c\/b\u003e\u003ci\u003e\u003cb\u003e\u003ci\u003eNEW YORK TIMES\u003c\/i\u003e\u003c\/b\u003e\u003c\/i\u003e\u003cb\u003e BESTSELLER - One of the most remarkable true-crime narratives of the twenty-first century - \"\u003c\/b\u003e\u003ci\u003e\u003cb\u003e\u003ci\u003eThe Art Thief\u003c\/i\u003e\u003c\/b\u003e\u003c\/i\u003e\u003cb\u003e, like its title character, has confidence, élan, and a great sense of timing.\"\u003c\/b\u003e\u003ci\u003e\u003cb\u003e--\u003ci\u003eThe New Yorker\u003c\/i\u003e\u003c\/b\u003e \u003c\/i\u003e\u003c\/b\u003e\u003cp\u003e\u003c\/p\u003eA BEST BOOK OF THE YEAR: \u003ci\u003eThe Washington Post, The New Yorker, Lit Hub \u003c\/i\u003e \u003cp\u003e\u003c\/p\u003e \"Enthralling.\" --\u003ci\u003eThe Wall Street Journal\u003c\/i\u003e \u003cp\u003e\u003c\/p\u003eStéphane Bréitwieser is the most prolific art thief of all time. \u003cp\u003e\u003c\/p\u003e He pulled off more than 200 heists, often in crowded museums in broad daylight. \u003cp\u003e\u003c\/p\u003e His girlfriend served as his accomplice. \u003cp\u003e\u003c\/p\u003e His collection was worth an estimated $2 billion. \u003cp\u003e\u003c\/p\u003e He never sold a piece, displaying his stolen art in his attic bedroom. \u003cp\u003e\u003c\/p\u003e He felt like a king. \u003cp\u003e\u003c\/p\u003e Until everything came to a shocking end. \u003cp\u003e\u003c\/p\u003e In this spellbinding portrait of obsession and flawed genius, Michael Finkel gives us one of the most remarkable true-crime narratives of our times, a riveting story of art, theft, love, and an insatiable hunger to possess beauty at any cost.","brand":"Vintage","offers":[{"title":"Default Title","offer_id":53547940544878,"sku":"9781984898456","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/1007\/0382\/files\/imageloader_3cf67318-5567-41ef-af27-d662d228f603.jpg?v=1774492939"},{"product_id":"ruth-asawa-retrospective","title":"Ruth Asawa: Retrospective: Retrospective","description":"\u003cb\u003eA landmark survey of the wide-ranging practice of one of the twentieth century's most innovative artists\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003e Best known for her sinuous looped-wire sculptures, Ruth Asawa (1926-2013) used everyday materials to create endlessly innovative works in a variety of media over her more than six-decade-long career, from her student days at the experimental Black Mountain College in the 1940s through her mature years in her adopted home city of San Francisco. \u003cp\u003e\u003c\/p\u003e This extensively illustrated volume explores the astonishing expansiveness of Asawa's work, from the abstract looped-wire sculptures for which she garnered national attention in the 1950s to her nature-inspired tied-wire pieces, clay and bronze casts, paperfolds, paintings, drawings, sketchbooks, and prints. 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Challenging himself to take one good photograph every hour, Herwig began to notice surprisingly designed bus stops on otherwise deserted stretches of road. Twelve years later, Herwig had covered more than 18,000 miles in 14 countries of the former Soviet Union, traveling by car, bike, bus and taxi to hunt down and document these bus stops.\u003cbr\u003eThe local bus stop proved to be fertile ground for local artistic experimentation in the Soviet period, and was built seemingly without design restrictions or budgetary concerns. The result is an astonishing variety of styles and types across the region, from the strictest Brutalism to exuberant whimsy.\u003cbr\u003e\u003ci\u003eSoviet Bus Stops\u003c\/i\u003e is the most comprehensive and diverse collection of Soviet bus stop design ever assembled, including examples from Kazakhstan, Turkmenistan, Uzbekistan, Kyrgyzstan, Tajikistan, Ukraine, Moldova, Armenia, Abkhazia, Georgia, Lithuania, Latvia, Belarus and Estonia. 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They seem to know more than we do, about the status of being an artwork and the place of the viewer. The joke, if there is one, is on us.\" --\u003ci\u003eThe Guardian\u003c\/i\u003e \u003cp\u003e\u003c\/p\u003e Muñoz's revolutionary oeuvre evokes emotional narratives through sculpture, installation, drawing, writing, and sound. Situating viewers between his work and among one another, he creates an intimacy between art and its audience. Muñoz thought deeply about art history and, in particular, the tradition of Spanish painting. Before his untimely death at the age of forty-eight, he produced an extensive, powerfully evocative body of work that uniquely explores the narrative and philosophical possibilities of art. \u003cp\u003e\u003c\/p\u003e Published on the occasion of the exhibition at David Zwirner, New York, in 2022, this catalogue provides an expansive overview of Muñoz's career from the 1980s onward. In an accompanying text, the art historian and curator Guillaume Kientz contextualizes Muñoz's influences within the art-historical canon. The acclaimed writer Siri Hustvedt contributes a thoughtful response to the artist's iconic \u003ci\u003eConversation Piece\u003c\/i\u003e. In an imagined interview between Muñoz and himself, Maurizio Cattelan further propels the artist's momentum and potential in the time before his death. Also featured is a never-before-published interview between Muñoz and the art historian Michael Brenson that took place in 2000.","brand":"David Zwirner Books","offers":[{"title":"Default Title","offer_id":53550571979118,"sku":"9781644230893","price":65.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/1007\/0382\/files\/imageloader_ae5d4019-c504-4572-9ced-391eabd496d6.jpg?v=1774564336"},{"product_id":"kerry-james-marshall-the-complete-prints-1976-2022","title":"Kerry James Marshall: The Complete Prints: 1976-2022: 1976-2022","description":"\u003cp\u003e\u003cb\u003eA complete survey of Marshall's prints from the 1970s to the present, with many previously unseen works\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eKerry James Marshall is famed for his beautifully executed paintings that address the under-representation of the Black figure in the Western pictorial tradition. Though best known as a painter, Marshall has throughout his career also produced a vast graphic oeuvre that has been seldom seen and rarely documented. Marshall spent his youth building his craft in drawing and painting, but also in wood engraving and printing; by his mid-twenties, he recalls, \"I could do woodcuts, etchings, aquatints.\" Most of his prints have been produced not in professional print workshops but by the artist, working alone in his studio. They range from images the size of postcards to his 50-foot-long, 12-panel woodcut \u003ci\u003eUntitled\u003c\/i\u003e (1998-99), to iterations of his ongoing magnum opus \u003ci\u003eRythm Mastr\u003c\/i\u003e. And while some have entered prominent museum collections, many exist only in private collections or the artist's archive and are unknown to the public. 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